YOUNG SCHOLARS AWARDED GRANTS FROM THE MAX VAN BERCHEM FOUNDATION* 

*The Local Organization Committee of the 16th International Conference of Turkish Art gratefully thanks the board of the Max van Berchem Foundation of Switzerland for their generous contribution to young scholars 

NAME FROM TITLE
Diliara AliadinovaKiev, National Ukrainian Academy of Science, Institute of Archaeology GLAZED CERAMICS TABLEWARE IN THE EARLY OTTOMAN CRIMEA 
Ecem Altınkılıçİstanbul, İstanbul University OTTOMAN GLASS ART AND ITS INTERACTIVE RELATION WITH GLASS ART IN VENICE IN THE 18TH- 19TH CENTURIES 
Serpil AyhanAnkara, Hacettepe University THE MURAQQA H.2158 IN TOPKAPI PALACE MUSEUM AS A MEDIUM THAT BRINGS TOGETHER OTTOMAN AND SAFAVID ARTISTIC TASTES 
Bilal BadatTübingen, The University of Tübingen THE ART OF COMPLETING UNFINISHED MANUSCRIPTS IN OTTOMAN CALLIGRAPHY
Yasemin BağcıAmsterdam, Independent scholarCERAMICS AND CULTURAL INTERACTION IN 14TH CENTURY ANATOLIA
Jacques BurlotLyon, Maison de l’Orient et de la Méditerranée DEFINING THE DECORATION PRODUCTION TECHNOLOGY OF AN EARLY OTTOMAN POTTERY: THE CASE OF THE “MILETUS WARE” 
Halil ElemanaAnkara, Hacı Bayram Veli University AN EVALUATION OF DOCUMENTS RELATING TO THE CONSTRUCTION, REPAIR, AND FURNISHINGS OF THE YILDIZ PALACE IN THE PRIME MINISTRY OTTOMAN ARCHIVES 
Špela Grošeljİstanbul, İstanbul University ARCHITECT ANTONIO LASCIAC (ANTON LAŠČAK) IN THE OTTOMAN EMPIRE 
Müjde Dila Gümüşİstanbul,İstanbul University AN EARLY EXAMPLE OF SECOND CONSTITUTIONAL ERA MONUMENTS: THE PROJECT OF RAYMOND PÉRÉ 
Zohirul IslamBangladesh, Center for Heritage Studies THE CONNECTIVITY OF TURKISH ART, ARCHITECTURE AND LANGUAGES IN BANGLADESH (PAST BENGAL): AN HISTORICAL AND ANALYTICAL STUDY DURING MEDIEVAL PERIOD 
Cailah JacksonOxford, University of Oxford THE KARAMANIDS AND THEIR ILLUMINATED MANUSCRIPTS IN FOURTEENTH-CENTURY KONYA  Barrera
Muzaffer KaraaslanAnkara, Hacettepe University FOLLOWING AN ECOLE IN THE OTTOMAN WALL PAINTINGS IN THE KOSOVO 
Gulbanu KoshenovaTurkistan, Akhmet Yassawi University AN EXAMPLE OF MOSQUE ARCHITECTURE FROM KYZYLORDA REGION, KAZAKHSTAN: GANI BAY MOSQUE 
Naz Defne Kutİstanbul, Koç University ICONOGRAPHY OF A CATHOLIC VICTORY: THE BATTLE OF LEPANTO IN ITALIAN PAINTING
Khalida MahiAix-en-Provence, Independent scholar  PROBLEMS OF IDENTIFICATION OF THE “MASTERS OF TABRIZ” 
Zeynep Özaltınİstanbul, Marmara University SUUT KEMAL YETKİN AND ART CRITICISM: WRITING ON ART AND INSTITUTIONALISATION OF THE CULTURE OF ART CRITICISM 1950-1980 
Arda Can ÖzsuAnkara, Hacettepe University THE PORTRAIT OF ŞEKER AHMED ALİ PASHA IN THE NATIONAL ART GALLERY COLLECTION IN GREECE AND SIMEON SAVVIDIS, AN ARTIST OF ANATOLIAN ORIGIN 
Ilenia PittuiVenice, Ca’Foscari University PAOLO GIOVIO AND THE REPRESENTATION OF THE TURKISH POWER: SOME CASE STUDIES 
Kristyna RendlovaOxford, University of Oxford  THE TOPKAPI PALACE PORTRAYED IN THE 16th-CENTURY OTTOMAN ILLUSTRATED MANUSCRIPTS: BETWEEN IMPERIAL IDEOLOGY AND PICTORIAL AND ARCHITECTURAL MODELS 
Saarthak SinghNew York City, NY, New York University A TALISMANIC TUNIC WITH IMAGES OF MECCA AND MEDINA 
Fırat ŞekerBamberg, Otto-Friedrich University SİNAN’S OTHER PATRONS
Müge ŞenAnkara, Ankara University ŞEHZÂDE MEHMED TOMB TILES IN THE LIGHT OF CURRENT INFORMATION 
Nicola VerderameBerlin, Graduate School Muslim Cultures and Societies MONUMENTALITY AND INFRASTRUCTURE: A HAMIDIAN FOUNTAIN IN OTTOMAN ANKARA 
Özlem YıldızLondon, School of Oriental and African Studies THE TEXT AND IMAGE IN THE DIVAN OF BAKİ: AN ILLUSTRATED MANUSCRIPT FROM THE SEVENTEENTH CENTURY (BRITISH LIBRARY, ADD. 7922) 
Showing entries (filtered from total entries)
make your own website for free
Address

Beytepe Mahallesi, Hacettepe University Beytepe Campus, Beytepe Yerleşkesi, Çankaya/Ankara

Contacts

Email: icta16@hacettepe.edu.tr 
Phone: +90 312 297 82 75